We rolled into Russellville around 1pm and made our way to the Station House Bistro where we’d be playing that evening. The Station House is a cute little cafĂ© / coffeeshop with rad murals on the wall and the coolest staff and ownership ever. They took great care of us as we hung out all afternoon drinking Rich Irishmen and munchin sandwiches and checkin ye ‘ol internet and learning about the local scene -- the drama around the current theater production of “Assassins“ at Arkansa Tech University, the hippies in the hills, the straight up hillbillies, the nature of a “dry county” and everything in between. So much cultural education to be had -- in this country alone -- we’re learning a ton. Love it.
They cleared the tables completely out of the room by mid-afternoon and opened the place up into a decent sized little venue and we setup basically in the middle of the room. The sound in the room was really really good. -- it held the sound really nicely -- it didn’t bounce around too much or get too muddy and muffled. It was pretty amazing. There was a nice little crew of kids that made it out in time for our set which began at 8pm. It was a really fun set as we finally gave the new version of Mahoney (My Homie) some love and pulled out a few other things we hadn’t played as much.
The after parties were pretty epic in their own right as we explored Russellville with the locals. The Fort. Some late night piano duets. A ridiculous amount of riduculousness. And other adventures carried us into the wee hours before Cam and I saddled up the van (with Lisa sleeping in the back) and cruised to a Waffle House for a quick hit of greasy breakfast before hitting the road for about an hour to give us a head start on our big drive to Chattanooga, TN. We slept in the van again. It was good. Oh so good.
Reporting from the Ghost Ghost in motion for all of us Finn Rigginses.
==gilbert
PS here's a little video taste of William Blackart's set:


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